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Disappearance, by Michael Joyce
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Disappearance enmeshes us in nested networks from which it is impossible to escape unchanged. The novel spins up an elegant series of labyrinthine, mirror-rimmed puzzles that seem intended not so much for solution as habitation - propositions that bring into alarming clarity the strangeness of domains we so casually inhabit: memory, imagination, time. Arriving in a restless tidal flow of casually virtuosic language, the novel's many mysteries twirl, invert, and disgorge more mysteries. As in other Joyce stories we could mention, we may have seen someone die this morning, or in the not too distant future, or at some point as yet unfixed in the viscous fore-and-backwardness of disappearing time. The narrator may be the victim, or perhaps a cybernetic detective who assumes the dead man's memories, a version of everyone's maze-trapped prisoner. Wayfarer, philosoph, this man may lie in the grip of dementia, or dystopian oppression, or a video game from the future - names, no doubt, for a common disorder. This is a seriously playful book, hip to all the slippery ontologies of protean path-work, evocative both of old-school games (Mindwheel, Myst) and more recent philosophical entertainments (Passage, Dear Esther, The Stanley Parable). Fans of far-sighted fiction will find parallels with Borges, Robbe-Grillet, Burroughs, Hawkes, and the newer world-games of Mark Danielewski, Steve Erickson, and Jeff Noon. Followers of the graphic novel may find sublimely paranoid resonance with visions like Warren Ellis's Planetary or Grant Morrison's Filth. In life as not in fiction, however, there is only ever one Michael Joyce, and Disappearance demonstrates that he is not simply a master of fictional craft, but of fiction itself, in its most vital and changing form. Joyce is a genuinely transformational artist capable not simply of imagining other worlds, but of extending the range of imagination itself. This is a book that may change not just the way you see fiction, but indeed the way you see. - Stuart Moulthrop
- Sales Rank: #2185134 in Books
- Published on: 2012-10-17
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .67" w x 6.00" l, .87 pounds
- Binding: Paperback
- 231 pages
Review
"Joyce creates a protagonist who... takes on the poignancy and emotional resonance of a modern day Quixote; his tragic real life experience transformed by the Arthurian myths that...spill over into his perceptions of the world." Los Angeles Review of Books
Disappearance "swirls, drifts, reverses, pauses, and finally ends with what might best be described as a double turn of the screw.... Fans of William Gibson will recognize the lowlife metaphysics of cyberpunk...And the shade of Kafka fills the place with a distinctive malaise... To be is to be porous, fluid, and incarnated in multiple versions of oneself and others." American Book Review
From the Author
Writers talk about trying to understand something in what they do, but few are as clueless as I was in setting out to try to understand gameworlds and what they mean to people I know and love and who play and study games. To do so, of course, involved a journey into my own unknowingness, one that risks seeming foolish, lost, and even more clueless.
The journey was a good one for me but I emerged dazed and uncertain and reached out to a group of what might be thought of as spirit guides whom I knew would honestly tell me whether where I had gone were places they recognized and whether what I thought I had come to understand was "real." Thus the people whose words appear in the preface and on the cover as blurbs are something more than the usual collection of names one seeks in hopes of promoting a book (although they are extraordinary figures and truly what one means by "names" in the marketing sense). I've learned from each of them over the years. Also I have Kass Fleisher and Joe Amato, both gifted and courageous writers themselves, to thank for their long friendship and efforts here. I am honored to be among the first authors of Steerage, their important venture into a sea of stories.
Ariel Braverman's cover design, "Rose," proceeds from her current work making labor-intensive screen prints, reducing a digital image of a flower into its essential pixels, and printing them by hand, one square at a time. She sees her work as exploring "the relationship between femininity and technology, a sense of the pixel as the essential unit of the self (replacing the cell or the atom) and above all, a loss of fidelity to the sensory natural world." The cover design built upon her perception of "the abundance of flower imagery, allusions and symbolism in Disappearance, from the women's names to references to specific flowers," and "especially the image of everything coming together described as petals of a tightly bundled rose."
From the Back Cover
Disappearance is destined to become a classic among novels that explore the permeable borders between videogames and reality. As we follow a narrator confronted with consciousness but no personal sense of memory, Disappearance shows us in a thousand entertaining and sometimes chilling ways how we are each ultimately occupied by each other. Reading Disappearance, to borrow Joyce's own metaphor, is an elaborate game of pick-up sticks where pulling one stick from the pile without moving the others is virtually impossible. It's an instant classic and a must-read for anyone interested in the boundaries between videogames and reality, consciousness and identity.
-Robert Nashak, Interactive Media Division - USC School of Cinematic Arts
Disappearance is a magical tale of the struggle to make sense of a multilayered world in which change is the only thing to be sure of- to hold on to somehow - even when what you're holding is never still, and so making sense means letting go. Here games and game worlds are sometimes a metaphor of sorts, and sometimes more tangibly, technologically actual. Like Cronenberg's strange sci fi reverie, eXistenZ, in which 'real' and 'virtual' are twisted to the point where you no longer can tell them apart, in this novel games do something more than transport you to other dimensions or layers in time and space. They ultimately transform you, and you will never be the same. Then again, it appears that you were never the same anyway, but always other. Reading Disappearance, I am other.
- Jenny Sundén, author of Gender and Sexuality in Online Game Cultures (Routledge)
There is only ever one Michael Joyce, and Disappearance demonstrates that he is not simply a master of fictional craft, but of fiction itself, in its most vital and changing form. Joyce is a genuinely transformational artist capable not simply of imagining other worlds, but of extending the range of imagination itself. This is a book that may change not just the way you see fiction, but indeed the way you see.
- Stuart Moulthrop, award-winning artist, writer, and scholar of digital culture
Most helpful customer reviews
4 of 4 people found the following review helpful.
A Masterful Game of Cards
By WTC
As Michael Joyce's remarkable novel Disappearance unfolds you get the sensation that multiple dealers are shuffling various decks of cards and laying them out on different card tables at different points in time. In this labyrinthine casino (that opens with a spin of fortune's wheel) you will encounter dealers, those who are dealt, and those who are dealt with. Does a single dealer control the outcome of the game? Is the dealer a composite of dealers, each with a different agenda? At one point the enigmatic gamer Candido cautions the perplexed wayfarer Mr. Dee (the pilgrim who progresses through the shuffled worlds), "You are not seeing what you believe you are seeing ... You can't trust your senses in any of this." Which is one of many intriguing reasons you won't stop reading once you begin.
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